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O somma luce

8.7

类型：爱情地区：美国年份：2021 语言：中字

主演：/Giorgio Passerone/

导演：Guittet,Saisangcharn,贾健

上次更新：2024-12-24 02:26:20

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剧情介绍

《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 详情

影片评论

燕山城主:刚刚

可是太多虚假搞笑场面给人带来一种不真实感，其中有：石川玉菊身中五枪不死，阿丹开枪打中脑袋不死，柔弱的弄玉和阿箩居然能一个人打死许多日本兵并且平安归来。
奈何孤人:6分钟前

（姐姐秀娜，妹妹美贞）她们的奶奶不喜欢妈妈，所以在爸爸服兵役的时候把妈妈赶走了，留下了已早谈经出生的姐姐，但不知道妈妈当时已经怀了妹妹。
堕落仙子:3分钟前

2018年1月，参加《偶像练习生》并以总票数第一C位出道，成为限定男团NINE PERCENT队长；8月2日发行个人首张EP《1》。
风心岁月:8分钟前

是由李沧东编导，薛景求、文素丽主演的一部韩国爱情电影，该片于2002年8月9日在韩国上映。
MIZO鱼:8分钟前

一天，亚美在树林内发现一窝被遗弃的野雁蛋，她将蛋带回家，做了一个代用的孵卵器，并细心照顾孵化这些蛋成小雁，亚美成了雁妈妈。
当挡的当:4小时前

爱洛公主在片中与邪恶女巫玛琳菲森之间有着一段纠结的情缘。公主清纯美丽，散发出纯粹的公主气息，粉蓝及浅金色的装扮就像是拉斐尔画中长发卷卷透着少女情怀的女孩。
万德福:1小时前

这其实也是一个比较正常的情况，毕竟美队再强，他也不过是一个普通的地球人，而灭霸好歹是宇宙霸主级别的人物，对他来说，打败一个地球人根本就不是一个多么艰难的事情。
老灰鼠:5小时前

里面，老吴有幸和黄秋生过招，可惜对手戏不多，但他的表现很抢眼，演一个恶人能演到这种份上，金马影帝也并非浪得虚名。
繁华梦落云:1小时前

《魅影缝匠》是由保罗·托马斯·安德森执导，丹尼尔·戴-刘易斯、薇姬·克里普斯、莱丝利·曼维尔主演的剧情片，于2017年12月25日在美国首映。
索西法:1天前

⑦ 有一部讲逃犯越狱的电影，主角用一把勺子打地洞的，是什么电影，好像是韩国的你知道的。